37 Seconds, the feature debut of out-of-the-box short filmmaker Hikari, is not your conventional story about a disabled person facing and overcoming society’s prejudice. She has a close encounter with a rent boy, only to have it end with both of them apologizing.Makiko Watanabe exudes an easy charm as Mai, the practiced, personable sex worker who befriends Yuma. She’s hurt when Sayaka ignores her at the book signing packed with fans, especially when she realizes her blogging friend is taking all the credit for her creative stories and exceptional drawings. With Minori Hagiwara, Makiko Watanabe, Shôhei Uno, Mei Kayama.
Yuma is a young Japanese woman who suffers from cerebral palsy. 37 Seconds movie reviews & Metacritic score: Yuma is a young Japanese woman who suffers from cerebral palsy.
Directed by Hikari. Kanno But how to meet that special — or not — someone? Yuma’s initial isolation reflects the situation. "37 Seconds" tells the story of an aspiring young manga artist with cerebral palsy struggling to break free from her overprotective mother and forge her own path. That it’s a vexed and sweet adventure is part of what makes “37 Seconds” insightful.Desire is one of the things that makes us human.
But that doesn’t stop her from being an imaginative storyteller and a promising manga artist, or from seeking to express her sexuality on her way to adulthood. She especially insists on helping her daughter take off her clothes and bathe, although Yuma yearns to be more independent.She's able to take the train on her own and spends several days a week at the home of her childhood friend Sayaka (Minori Hagiwara, perfect in plush kitten ears), who has become an insufferable internet influencer with 100,000 followers. Mai and her driver Toshi (Shunsuke Daito) take Yuma to a trans bar where she gets drunk. We find her dressed up with a pitiful flower in her hair, wheeling herself around Tokyo’s red light district with the intention of buying some sexual education.
Still, the final scene between Yuma and her mother is beautifully nuanced and puts everything in perspective, showing how far the girl has come in the short space of the film.Kayama is an expressive actress who one very much hopes will find more roles onscreen.
The publisher (played by Japanese actor-newscaster Yuka Itaya) tells her that she needs to have sex to really create convincing adult manga.
Japanese society is said to be adverse to talking about people with disabilities, which makes young Yuma’s journey all the more poignant. When she escapes — speeding out of a clinic — her frantic mom wants to file a missing person report. Yet sentimentality and pathos are banned from Hikari’s screenplay, which surprises with its fresh, often humorous realism. Not unlike its protagonist.
Yuma’s soft-as-a-whisper voice makes her seem more childlike than she actually is, and Kumashino’s day job as an advocate suggests changes are brewing.The more liberated Yuma becomes, the more her mother puts her on lockdown. More calibrated and conventionally moving is Kanno’s trajectory as her mother, who seems so transparent until her hidden drama is revealed.Deborah Young The story is very well written and touches many aspects of what it means to have a disability. Like the Sundance hit doc “Crip Camp” (also Netflix), “37 Seconds” challenges that.While 23 may sound a little old to be coming of age, for a young woman infantilized by her mother, the timing makes sense.
Sometimes fleeing is the only way back. 37 Seconds is coming out in 2020 on Friday, January 31, 2020 and will be released in netflix movie theaters. As his character wheels Mai through streets populated with sex toy shops, drag bars and karaoke clubs, he looks to be having a ball. A heartwarming, special little movie, 37 Seconds follows Yuma (Mei Kayama), a struggling artist afflicted with cerebral palsy, as she embarks on a journey of self-discovery triggered by a desire to lose her virginity. Even though some happenings might seem over the top, the story still feels real and for the whole duration you're feeling with the main character. This is one of those films that starts slowly and predictably, but when the turning point comes, it lifts the pic into another dimension.Early on we see Yuma (who looks more like 13 than 23) taking a bath with her mother, and it is emblematic of how their overly dependent relationship keeps her from growing up. But she has to leave room for us to understand, to forgive.
In 37 Seconds, Hikari tells the story of Yuma (Kayama Mei), a 23-year-old manga artist with cerebral palsy living with her loving but overprotective mother.
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